Cannes 2013


This will be a complete index of the Cannes 2013 films Critics Round Up has aggregated.

There are no film pages created for smaller sections of Cannes like Directors’ Fortnight or Critics’ Week, but they’ll be added if they generate enough reviews.

In Competition

Steven Soderbergh’s Behind the Candelabra
Abdellatif Kechiche’s Blue Is the Warmest Color
Alex van Warmerdam’s Borgman
Valeria Bruni-Tedeschi’s A Castle in Italy
Paolo Sorrentino’s The Great Beauty
Mahamat-Saleh Haroun’s Grigris
Amat Escalante’s Heli
James Gray’s The Immigrant
Joel and Ethan Coen’s Inside Llewyn Davis
Arnaud Desplechin’s Jimmy P.
Hirokazu Kore-eda’s Like Father, Like Son
Arnaud des Pallières’ Michael Kohlhaas
Alexander Payne’s Nebraska
Nicolas Winding Refn’s Only God Forgives
Jim Jarmusch’s Only Lovers Left Alive
Asghar Farhadi’s The Past
Takashi Miike’s Shield of Straw
Jia Zhangke’s A Touch of Sin
Roman Polanski’s Venus in Fur
François Ozon’s Young & Beautiful


Un Certain Regard

James Franco’s As I Lay Dying
Claire Denis’ Bastards
Flora Lau’s Bends
Sofia Coppola’s The Bling Ring
Adolfo Alix Jr.’s Death March
Ryan Coogler’s Fruitvale Station
Lucia Puenzo’s The German Doctor
Rebecca Zlotowski’s Grand Central
Valeria Golino’s Honey
Diego Quemada-diez’s La jaula de oro
Mohammad Rasoulof’s Manuscripts Don’t Burn
Rithy Panh’s The Missing Picture
Hiner Saleem’s My Sweet Pepperland
Lav Diaz’s Norte, the End of History
Katrin Gebbe’s Nothing Bad Can Happen
Hany Abu-Assad’s Omar
Chloé Robichaud’s Sarah Would Rather Run
Alain Guiraudie’s Stranger by the Lake

Directors’ Fortnight

Ari Folman’s The Congress
Alejandro Jodorowsky’s The Dance of Reality
Paul Wright’s For Those in Peril
Anthony Chen’s Ilo Ilo
Frank Pavich’s Jodorowsky’s Dune
Clio Barnard’s The Selfish Giant
Serge Bozon’s Tip Top

Critics’ Week

Peter Greenaway, Jean-Luc Godard and Edgar Pêra’s 3x3D
David Lowery’s Ain’t Them Bodies Saints
Fabio Grassadonia and Antonio Piazza’s Salvo


Jafar Panahi’s Closed Curtain

Midnight Screenings

Johnnie To’s Blind Detective

Special Screenings

James Toback’s Seduced and Abandoned

Out of Competition

J.C. Chandor’s All is Lost
Claude Lanzmann’s The Last of the Unjust