Afterimage Screen 85 of 5 reviews



Afterimage Poster
  • It’s beautifully made, as Wajda clearly had a considerable budget to recreate the historical look of Soviet-era buildings and streets of the early 1950s. To anyone unfamiliar with the impact that Socialist Realism could have on the avant-garde artists in the USSR and elsewhere starting in the 1930s, the film provides a vivid example. The film also contains an excellent performance by Boguslaw Linda, perhaps best known as the lead in Kieslowski’s Blind Chance.

  • The last work of Poland’s most revered postwar filmmaker, Andrzej Wajda, is a fiercely committed obituary of Wladyslaw Strzeminski, one of his country’s most strikingly visionary contemporary artists, victimised by the communist regime all the way to his death in 1952. As played by Boguslaw Linda, whose features bear more than a passing resemblance to both Wajda and Strzeminski, this is a fitting end note to Wajda’s career.

  • While it may not belong in the pantheon of Wajda’s greatest cinematic achievements, Afterimage nevertheless elicits deep affection for the creative minds that paid for their rebellion with years of humiliation, persecution and isolation.

  • While its form may be fairly conventional for a biopic about a proponent of uncompromising radicalism, it’s a forceful tribute to someone Wajda clearly viewed as a kindred spirit and reveals an auteur not mellowed in his biting advocacy of truthful dissent.

  • Odd as it is to see a defense of the abstract and the avant-garde told in such a staidly linear, classical manner, the sting of the movie’s political rebuke is clear and unmistakable.

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