Angels of Sin Screen 2 articles

Angels of Sin


Angels of Sin Poster
  • Made before Bresson started putting his theories about editing, framing and acting into practice, the film has a style that's essentially syncretic, repurposing "mainstream" (or "mainstream at the time") ideas about how a camera should move, how a film should be edited, how actors should perform, and how a story should be told toward its own ends; it teeters somewhere between reverence and absurdism.

  • Fluctuating between melodrama and noir—inside the convent and outside—Les Anges du Peche announced Bresson’s deft mastery of genre, as well as a potent sense of the nonpareil cinema that was to come.