Cemetery Without Crosses Screen 2 articles

Cemetery Without Crosses


Cemetery Without Crosses Poster
  • If Cemetery Without Crosses feels subtly but unmistakably different than other westerns, that's because it is: It's the lone French western to emerge from the genre's European (though mostly Italian) overhaul in the mid '60s. This geographical and cultural novelty adds another layer of pretext to the film.

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    Sight & Sound: James Blackford
    July 31, 2015 | September 2015 Issue (pp. 95-96)

    [Hossein] adopts a precise, ascetic style reminiscent of Jean-Pierre Melville, marked by long periods without dialogue and an intense focus on essential images. In this filmic space, every pronounced camera movement, musical cue and look exchanged by the characters heightens the melodrama. The result is a compellingly pure take on the western, true to the tradition of French popular cinema.