End of the Road Screen 2 articles

End of the Road


End of the Road Poster
  • The ensuing abortion scene is truly harrowing, and far more potent and tough than the fashionable counterculture satire that precedes it.

  • Somehow it works, as the kind of mad mélange of 1970 anger-confusion J. Hoberman might call a “whatsit,” similar in spirit to William Klein, Robert Downey, Sr., and Melvin Van Peebles. DP Gordon Willis’s first credit, it may be, per Kael, “camp paranoia,” but it’s a thought-provoking eyeful.