Why should one want to watch this? The lead is unsympathetic when he meets a friend on a Ferris wheel; we are condemned to "visual flair," to a shot set-up where the two raising and lowering reminisce in dialogue about high-school events, — events I'd rather see. And yet I have more respect for Suzuki for bullying on with this and not "fleshing it out." Who cares? Let's get in and out. The script is Sun-Tribe trash.