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  • The greatest saucy premise of all time buried in much unfunny filler involving wide-boy gangsters, comical Italians, dimwit aristos, Dick Emery's schtick (which, cross-dressing aside, seems to consist mainly of adopting a plummy upper-class accent when in 'disguise') and laboured, grotty-looking filmmaking that may be what Truffaut had in mind when he called British cinema an oxymoron.