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Killer Cop


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    Film Comment: Nick Pinkerton
    July 01, 2015 | July/August 2015 Issue (p. 77)

    Along with documentary glimpses of 1974 Milan—heroin dealing at a jai alai court?—Ercoli's film is distinguished by a charmingly belabored opthalmic metaphor meant to suggest social myopia, involving lots of eyeglasses, reflective surfaces, and a blind witness to a climactic subway shoot-out.