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    Everything Is Cinema (book): Richard Brody
    May 13, 2007 | Chapter 23

    Miéville, as she confessed, was not a person of the cinema; as such, like a young first-time novelist, she was able to work in the first person, without references to movie genres or other cinematic antecedents. Her first feature film was spontaneous and alert to her actors as well as to her own emotions. She fully justified the confidence that Godard had expressed in her ability when they had discussed the question two years earlier in Soft and Hard.