Strangely Ordinary This Devotion Screen 5 articles

Strangely Ordinary This Devotion

2017

Strangely Ordinary This Devotion Poster
  • Window Water Baby Moving (1958) comes to mind, but Wilson and Leventhal do not gawk at pregnancy or sink under the hand of a father figure, instead separating the mother from genitalia, genitalia from gender, gender from tradition, and tradition from form... Though its many abstractions may extend beyond immediate comprehension, Strangely Ordinary This Devotion eschews the belief that clarity is honesty, that honesty must always be clear, and it elicits far more than one exclamation mark. (!!!)

  • It situates the artists’ own bodies, as well as that of their young daughter, into a beautiful and strikingly carnal essay on domesticity and motherhood that unearths playfully primal impulses from both physiological bounds and prescribed notions of female sexuality.

  • A domestic mini-epic capacious enough to include witches in the heartland, the painterly use of blood or blood substitutes, Chantal Akerman and Prince, the oral application of smooth stones, gardens and mesas, the draining of a sebaceous cyst, and the enthusiastic eating of pussy. It is very possibly the film of the year.

  • It’s an intensely open film of private ritual and wonder, the only work in these ten days where I felt I had to jury-rig an entire receptive framework on the fly to even begin to account for the work it was doing. It’s stuck with me like a rock in my mouth.

  • These images are at once arresting and beautifully evocative of how fragile life can be. A brief sequence involving a scattering of birds taking flight set to the sound of Prince’s, I Would Die 4 U, followed by a later sequence of featuring clips from Chantal Akerman’s, Je, Tu, Ill, Elle reminds us of everyone we’ve lost and how art can impact life. The brilliance of this film though is in how the directors tie this into a theme of devoted motherhood.

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