The Truth Screen 1 article

The Truth


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  • Clouzot's underrated sense of editing, with its strong but subtle rhythms, is put to great use in the conducting scenes, which recall the director's collaborations with Herbert von Karajan; these sequences, in which the world seems to take on a hierarchy and furious order through music, make Bardot's attraction to Frey more palpable than any of his haughty banter.