If ME AND MY PAL is Laurel & Hardy’s version of THE EXTERMINATING ANGEL avant la lettre, and it is, then the silent TWO TARS (1928) is their pre-empting of Godard’s WEEKEND. . . . This sequence is probably slightly longer than Godard’s famous two-tracking shot vision of hell, but it’s also much funnier, without in any way lessening the sense of the human race as a hopelessly warlike, intransigent, malicious and brainless blight on the globe.