The Long Week Closes: The Double Bill Is Twice as Good July 15, 2017

I’m recovering well enough after being sick, but I’m still not at 100%, so updates are going to remain slower and fewer for now.

Because I was too ill to write up the Saturday column last week, this entry will cover the past two weeks of what was new on CRU.

New Releases (Week of July 7)
A Ghost Story (David Lowery, United States, 18 reviews)
The Rehearsal (Alison Maclean, New Zealand, 17 reviews)
Spider-Man: Homecoming (Jon Watts, United States, 10 reviews)
City of Ghosts (Matthew Heineman, United States, 7 reviews)

New Releases (Week of July 14)
War for the Planet of the Apes (Matt Reeves, United States, 14 reviews)
Lady Macbeth (William Oldroyd, United Kingdom, 17 reviews)
Endless Poetry (Alejandro Jodorowsky, Chile, 11 reviews)
Chasing Coral (Jeff Orlowski, United States, 6 reviews)

Cinema of the Past
That Most Important Thing: Love (France, 1975, 8 reviews)
Black Sunday (Mario Bava, Italy, 1960, 9 reviews)
Black Narcissus (Michael Powell & Emeric Pressburger, United Kingdom, 1947, 15 reviews)
Baby Doll (Elia Kazan, United States, 1956, 7 reviews)
Gun Crazy (Joseph H. Lewis, United States, 1950, 21 reviews)
On Dangerous Ground (Nicholas Ray, United States, 1951, 12 reviews)
Rome, Open City (Roberto Rossellini, Italy, 1945, 1945, 17 reviews)
Paisan (Roberto Rossellini, Italy, 1946, 1946, 9 reviews)
Germany Year Zero (Roberto Rossellini, Germany, 1948, 12 reviews)
Sans soleil (Chris Marker, France, 1983, 11 reviews)

Images: A Ghost Story, War for the Planet of the Apes, That Most Important Thing: Love

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