TIFF 2013 Ranked September 19, 2013

Here is a list of the highest to lowest CRU averages for each film that screened at Toronto this year and that generated three or more reviews.

(93) David Rimmer’s Variations on a Cellophane Wrapper

(89) Stephanie Spray and Pacho Velez’s Manakamana

(89) Tsai Ming-liang’s Stray Dogs

(89) Frederick Wiseman’s At Berkeley

(88) Rithy Panh’s The Missing Picture

(87) Claire Denis’ Bastards

(86) Alain Guiraudie’s Stranger by the Lake

(86) Ramon Zürcher’s The Strange Little Cat

(85) Steve McQueen’s 12 Years a Slave

(84) Claude Lanzmann’s The Last of the Unjust

(83) Ben Wheatley’s A Field in England

(83) Lav Diaz’s Norte, the End of History

(83) Denis Villeneuve’s Prisoners

(83) Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness

(83) Ulrich Seidl’s Paradise: Hope

(83) Frank Pavich’s Jodorowsky’s Dune

(82) Kim Ki-duk’s Moebius

(81) Hayao Miyazaki’s The Wind Rises

(80) Jonathan Glazer’s Under the Skin


(79) Jia Zhangke’s A Touch of Sin

(79) Clio Barnard’s The Selfish Giant

(79) Hong Sang-soo’s Our Sunhi

(78) Jafar Panahi and Kambozia Partovi’s Closed Curtain

(78) Jim Jarmusch’s Only Lovers Left Alive

(78) Lukas Moodysson’s We Are the Best!

(78) Richard Ayoade’s The Double

(77) Kelly Reichardt’s Night Moves

(77) Albert Serra’s Story of My Death

(77) Johnnie To’s Blind Detective

(77) Pawel Pawlikowski’s Ida

(76) Abdellatif Kechiche’s Blue is the Warmest Color

(74) Catherine Breillat’s Abuse of Weakness

(73) Asghar Farhadi’s The Past

(73) Paolo Sorrentino’s The Great Beauty

(73) Hélène Cattet and Bruno Forzani’s The Strange Color of Your Body’s Tears

(72) Corneliu Porumboiu’s When Evening Falls on Bucharest or Metabolism

(72) Alexey Fedorchenko’s Celestial Wives of the Meadow Mari

(72) Stephen Frears’ Philomena

(71) John Turturro’s Fading Gigolo

(70) Sebastián Lelio’s Gloria

(70) Raya Martin and Mark Peranson’s La última película

(70) Michael Dowse’s The F Word


(69) Alfonso Cuarón’s Gravity

(68) Jean-Marc Vallée’s Dallas Buyers Club

(67) Hirokazu Kore-eda’s Like Father, Like Son

(67) John Wells’ August: Osage County

(67) Sion Sono’s Why Don’t You Play in Hell?

(66) Ralph Fiennes’ The Invisible Woman

(61) Errol Morris’ The Unknown Known

(61) Alex van Warmerdam’s Borgman

(60) Xavier Dolan’s Tom at the Farm

(60) João Pedro Rodrigues’ The King’s Body

(57) Joseph Gordon-Levitt’s Don Jon

(56) Denis Villeneuve’s Enemy

(55) François Ozon’s Young & Beautiful

(53) Călin Peter Netzer’s Child’s Pose

(52) Bill Condon’s The Fifth Estate

(51) Ron Howard’s Rush

(50) Kiyoshi Kurosawa’s REAL

(46) Sean Durkin’s Southcliffe

(44) David Gordon Green’s Joe

(37) James Franco’s Child of God

(37) Ti West’s The Sacrament

(35) Atom Egoyan’s Devil’s Knot

(35) Jason Reitman’s Labor Day


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