Toronto 2017

This year, and possibly from now on, the TIFF Index will be compressed. This page will only show CRU pages for films from Masters, Wavelengths, and Platform.

The Other Side of Hope

Masters
Loveless (Andrei Zvyagintsev, Russia)
The Day After (Hong Sang-soo, South Korea)
The Other Side of Hope (Aki Kaurismäki, Finland)
Happy End (Michael Haneke, France)
Zama (Lucrecia Martel, Argentina)
The Third Murder (Hirokazu Kore-eda, Japan)
Faces Places (Agnès Varda & JR, France)
First Reformed (Paul Schrader, United States)

The Nothing Factory

Wavelengths
Scaffold (Kazik Radwanski, Canada)
A Skin So Soft (Denis Côté, Canada)
The Nothing Factory (Pedro Pinho, Portugal)
Good Luck (Ben Russell, France/Germany)
Strangely Ordinary This Devotion (Dani [Leventhal] Restack & Sheilah [Wilson] Restack, United States)
Mrs. Fang (Wang Bing, China)
Wasteland No. 1 – Ardent, Verdant (Jodie Mack, United States)
PROTOTYPE (Blake Williams, Canada)
Occidental (Neïl Beloufa, France)
Dragonfly Eyes (Xu Bing, China)
Pixilation (Anne Charlotte Robertson, United States)
Brown and Clear (Kevin Jerome Everson, United States)
Turtles Are Always Home (Rawane Nassif, Qatar)
Fluid Frontiers (Ephraim Asili, United States/Canada)
Cocote (Nelson Carlo de los Santos Arias, Dominican Republic)
Yeti (Wojciech Bakowski, Poland)
Rose Gold (Sara Cwynar, United States)
Division Movement to Vungtau (Benjamin Crotty & Bertrand Dezoteux, France)
Flores (Jorge Jácome, Portugal)
Caniba (Lucien Castaing-Taylor & Véréna Paravel, France)
Jeannette: The Childhood of Joan of Arc (Bruno Dumont, France)
Le Fort des Fous (Narimane Mari, France/Algeria)

Platform
Sweet Country (Warwick Thornton, Australia)
The Death of Stalin (Armando Iannucci, United Kingdom)
Custody (Xavier Legrand, France)
Brad’s Status (Mike White, United States)