Venice 2014

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In Competition

Benoît Jacquot’s 3 Hearts
Ramin Bahrani’s 99 Homes
Alejandro González Iñárritu’s Birdman
Francesco Munzi’s Black Souls
Fatih Akin’s The Cut
David Oelhoffen’s Far from Men
Tsukamoto Shinya’s Fires on the Plain
Andrew Niccol’s Good Kill
Saverio Costanzo’s Hungry Hearts
Joshua Oppenheimer’s The Look of Silence
David Gordon Green’s Manglehorn
Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence
Andrei Konchalovsky’s The Postman’s White Nights
Xavier Beauvois’ The Price of Fame
Abel Ferrara’s Pasolini
Wang Xiaoshuai’s Red Amnesia
Rakhshan Bani-Etemad’s Tales

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Out of Competition

Joe Dante’s Burying the Ex
Ann Hui’s The Golden Era
Barry Levinson’s The Humbling
Ulrich Seidl’s In the Basement
Manoel de Oliveira’s The Old Man of Belem
Lisa Cholodenko’s Olive Kitteridge
Im Kwon-taek’s Revivre
Peter Bogdanovich’s She’s Funny That Way

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Orrizzonti

Franco Maresco’s Belluscone: a Sicilian Story
Chaitanya Tamhane’s Court
Michael Almereyda’s Cymbeline
Veronika Franz & Severin Fiala’s Goodnight Mommy
Josh & Benny Safdie’s Heaven Knows What
Hong Sang-soo’s Hill of Freedom
Mohsen Makhmalbaf’s The President
Naji Abu Nawar’s Theeb

International Critics’ Week

Vuk Rsumovic’s No One’s Child

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Venice Days

Guy Myhill’s The Goob
Christophe Honoré’s Métamorphoses
Kim Ki-duk’s One on One
Laurent Cantet’s Return to Ithaca
Larry Clark’s The Smell of Us